VHEMT) and of course, because it was the Ramayana from Sita's perspective. (It didn't go far enough if you ask me, Sita's perspective would need a radical feminist approach.:)
The style does come across as flip, even though Nina protests it isn't, but I liked the whole comparison to her own story of male rejection. The songs were lovely and the narration very contemporary (meaning most indians only know bits and pieces well and that comes across). Very colourful and indianized, from an american's point of view. As an indian woman who knows the story, it wasn't very outrageous or even groundbreaking or insightful, excusable as it was made for a wider audience, but the songs were nice and scenes well-packaged. Good job, Nina! I felt very much for your parallel.